Download the book description for Windows on Our Souls: A spiritual Excavation, by Sarah Hall and Bob Shantz.
Download the book description (including ordering information) for Sarah Hall's "The Color of Light: Commissioning Stained Glass for a Church".
Technique
Total Articles: 15
By Sarah Hall and Jeffrey Kraegel | Glass Art - May/June 1996
As an architectural art, the success of stained glass depends a great deal on how it works in context. Over the years, and through many commissions, I've gained a respect for buildings, and an......
As an architectural art, the success of stained glass depends a great deal on how it works in context. Over the years, and through many commissions, I've gained a respect for buildings, and an......
By Sarah Hall and Jeffrey Kraegel | Glass Art - July/August 1996
Stained glass and natural light. These are the raw materials of my art; and at times the extraordinary interaction between these elements seems to transform the air itself. In the real world,......
Stained glass and natural light. These are the raw materials of my art; and at times the extraordinary interaction between these elements seems to transform the air itself. In the real world,......
By Sarah Hall and Kraegel and Jeffrey | Glass Art - September/October 1996
After nearly twenty years of working in architectural glass, I've learned to deal with many types of questions. But when I'm asked what a particular piece is about, there is no simple answer. Any......
After nearly twenty years of working in architectural glass, I've learned to deal with many types of questions. But when I'm asked what a particular piece is about, there is no simple answer. Any......
By Sarah Hall and Kraegel and Jeffrey | Glass Art - January/February 1997
Colors. Red, yellow, blue, and all the infinite combinations between. Each sparks a feeling, a memory, a visceral response. When we look at a window, color is often the first thing we see and......
Colors. Red, yellow, blue, and all the infinite combinations between. Each sparks a feeling, a memory, a visceral response. When we look at a window, color is often the first thing we see and......
By Sarah Hall and Jeffrey Kraegel | Glass Art - March/April 1997
How deep is a window? Is it only the thickness of the glass, or is it more? Glass in its transparency plays with our sense of depth; we may see the surface, but our vision is drawn beyond, to a......
How deep is a window? Is it only the thickness of the glass, or is it more? Glass in its transparency plays with our sense of depth; we may see the surface, but our vision is drawn beyond, to a......
By Sarah Hall and Jeffrey Kraegel | Glass Art - September/October 1997
Pity the poor artist! Having consulted the clients, designed a window that suits the architecture while capturing the desired thematic elements, and built it to the highest technical standards,......
Pity the poor artist! Having consulted the clients, designed a window that suits the architecture while capturing the desired thematic elements, and built it to the highest technical standards,......
By Sarah Hall and Jeffrey Kraegel | Glass Art - January/February 1998
A stained glass artist has to be adaptable. We are often working in spaces in which there are already one or more windows; and at times these can add up to a thumbnail history of the art of......
A stained glass artist has to be adaptable. We are often working in spaces in which there are already one or more windows; and at times these can add up to a thumbnail history of the art of......
By Sarah Hall and Jeffrey Kraegel | Glass Art - Marh/April 1998
Glass is remarkable. Temperamental, fragile and unforgiving in the studio, once it is leaded and installed in a window, it becomes one of the most durable of materials. Even after hundreds of......
Glass is remarkable. Temperamental, fragile and unforgiving in the studio, once it is leaded and installed in a window, it becomes one of the most durable of materials. Even after hundreds of......
By Sarah Hall and Jeffrey Kraegel | Glass Art - September/October 1998
What does a business look like? Is it a building? a product? a logo? Businesses like to be recognized, and they will devote large amounts of time and money towards creating and......
What does a business look like? Is it a building? a product? a logo? Businesses like to be recognized, and they will devote large amounts of time and money towards creating and......
By Sarah Hall and Jeffrey Kraegel | Glass Art - November/December 1998
Ruby, emerald, amethyst, amber; the sheets are lined up on my easel. In a ritual as old as stained glass itself, I am choosing the glass for a new window. The colors are vibrant in the sun; the......
Ruby, emerald, amethyst, amber; the sheets are lined up on my easel. In a ritual as old as stained glass itself, I am choosing the glass for a new window. The colors are vibrant in the sun; the......
By Sarah Hall and Jeffrey Kraegel | Glass Art - September/October 1999
It has been a long journey, and after travelling late into the night, my friend Norbert Sattler and I arrive in Konnersreuth, a small village on the Czech-German border. It is our over-night stop......
It has been a long journey, and after travelling late into the night, my friend Norbert Sattler and I arrive in Konnersreuth, a small village on the Czech-German border. It is our over-night stop......
By Sarah Hall and Jeffrey Kraegel | Glass Art - November/December 1999
It seems like another lifetime in which I had a different career. After a rigorous course of study and a qualifying exam, I took a job in a gemmology lab. There, I spent my time looking through......
It seems like another lifetime in which I had a different career. After a rigorous course of study and a qualifying exam, I took a job in a gemmology lab. There, I spent my time looking through......
By Sarah Hall and Jeffrey Kraegel | Glass Art - September/October 2000
"Of all the elements of a room, the window is the most marvelous. What slice of the sun does your building have?" - Louis Kahn For those of us working in stained......
"Of all the elements of a room, the window is the most marvelous. What slice of the sun does your building have?" - Louis Kahn For those of us working in stained......
By Sarah Hall and Jeffrey Kraegel | Glass Art - November/December 2000
In the previous issue of Glass Art, the authors wrote about how an artist understands and plans for the available light when designing a window. In this article, they take a look at another......
In the previous issue of Glass Art, the authors wrote about how an artist understands and plans for the available light when designing a window. In this article, they take a look at another......
By Sarah Hall and Jeffrey Kraegel | Glass Art - January/February 2005 (Volume 20, Number 2)
A building wears its history in its bones: in its foundation, its bricks and mortar; its beams, joists and floorboards. But the building’s life is in its windows. Clear or colored, whatever their......
A building wears its history in its bones: in its foundation, its bricks and mortar; its beams, joists and floorboards. But the building’s life is in its windows. Clear or colored, whatever their......
