Download the book description for Windows on Our Souls: A spiritual Excavation, by Sarah Hall and Bob Shantz.
Download the book description (including ordering information) for Sarah Hall's "The Color of Light: Commissioning Stained Glass for a Church".
History
Total Articles: 9
By Sarah Hall | Canada Crafts - October/November 1978
In the 12th and 13th centuries, the great age of cathedrals, stained glass arose as a part of gothic architecture within the integrated ordering of Christian art. The early glass craftsmen worked......
In the 12th and 13th centuries, the great age of cathedrals, stained glass arose as a part of gothic architecture within the integrated ordering of Christian art. The early glass craftsmen worked......
By Sarah Hall and Jeffrey Kraegel | Glass Art - May/June 1997
One of the wonders of stained glass is its expressiveness. Cold glass, shaped and bound with lead, and infused with light, can portray a tremendous range of emotions. In every historical period,......
One of the wonders of stained glass is its expressiveness. Cold glass, shaped and bound with lead, and infused with light, can portray a tremendous range of emotions. In every historical period,......
By Sarah Hall and Jeffrey Kraegel | Glass Art - May/June 1998
tap...tap...tap...tap....
It is late afternoon, and I am at my easel, designing a window. As I work, I find myself half-listening to the sounds of my assistant, Matthias, as he cuts......
tap...tap...tap...tap....
It is late afternoon, and I am at my easel, designing a window. As I work, I find myself half-listening to the sounds of my assistant, Matthias, as he cuts......
By Sarah Hall and Jeffrey Kraegel | Glass Art - March/April 1999
Take a sheet of glass. Fold it in half, and then fold it again. Knead until soft, then shape and mold it into an artistic expression of an idea, event or feeling that can be understood and......
Take a sheet of glass. Fold it in half, and then fold it again. Knead until soft, then shape and mold it into an artistic expression of an idea, event or feeling that can be understood and......
By Sarah Hall and Jeffrey Kraegel | Glass Art - March/April 2000
The scene is a busy stained glass workshop. Artists, glaziers and apprentices are all hard at work, designing, drawing, painting, cutting and leading. The pace is steady, for the workshop=s......
The scene is a busy stained glass workshop. Artists, glaziers and apprentices are all hard at work, designing, drawing, painting, cutting and leading. The pace is steady, for the workshop=s......
By Sarah Hall and Jeffrey Kraegel | Glass Art - July/August 2000
In most media, a line is an insubstantial thing; no more than a trail of paint, graphite, or charcoal across a paper or canvas surface. Lacking weight and dimension, the line leads a precarious......
In most media, a line is an insubstantial thing; no more than a trail of paint, graphite, or charcoal across a paper or canvas surface. Lacking weight and dimension, the line leads a precarious......
By Sarah Hall and Jeffrey Kraegel | Glass Art - September/October 2001
This chapel is situated on a hill; it can be seen from very far away, and from it one can see for very great distances: a landmark and an observation point. It is not only a......
This chapel is situated on a hill; it can be seen from very far away, and from it one can see for very great distances: a landmark and an observation point. It is not only a......
By Sarah Hall and Jeffrey Kraegel | Glass Art - November/December 2001
The window glows in the afternoon light: a field of hand-made blue and green glass, shot through with flowing, opaque white. The colors catch and play with the sun, seeming to bear aloft a small,......
The window glows in the afternoon light: a field of hand-made blue and green glass, shot through with flowing, opaque white. The colors catch and play with the sun, seeming to bear aloft a small,......
By Sarah Hall and Jeffrey Kraegel | Glass Art - January/February 2005 (Volume 20, Number 2)
A building wears its history in its bones: in its foundation, its bricks and mortar; its beams, joists and floorboards. But the building’s life is in its windows. Clear or colored, whatever their......
A building wears its history in its bones: in its foundation, its bricks and mortar; its beams, joists and floorboards. But the building’s life is in its windows. Clear or colored, whatever their......
